The Sony FX30 Cinema Line camera combines elements of Sony’s professional filmmaking series into a compact design featuring a 26MP Super 35 APS-C sensor. It features 6K oversampled 4K recording, 10-bit 4:2:2 internal capture, S-Cinetone colour science, and 5-axis stabilization, making it suitable for both consumer video and professional cinema production. For independent filmmakers and creative professionals, it’s a remarkably capable entry point into the Cinema Line ecosystem.
There’s a particular kind of camera that filmmakers save for years. The Sony FX30 significantly streamlines that journey. The camera serves as Sony’s entry point to the Cinema Line, offering the same imaging and colour quality as much more expensive models, all in a lightweight 646-gram body that easily fits in a shoulder bag.
Sony didn’t strip down a hybrid mirrorless and rebrand it. The FX30 was built specifically for video-first work, sharing its physical architecture and modular design language with the FX3. That intention shows in how it handles.
Sensor and image quality
At the core is a 26MP APS-C Exmor R CMOS sensor paired with Sony’s BIONZ XR processor. The full-pixel 6K readout is downsampled to UHD 4K without line-skipping or pixel binning, ensuring sharp detail and natural colour. The dynamic range exceeds 14 stops in S-Log3, thanks to the Dual Base ISO design, which ensures high image quality in challenging lighting conditions.
Key specs:
- Sensor: 26MP APS-C Exmor R CMOS (Super 35)
- 4K recording: Up to 60fps (full-pixel); up to 120fps with 1.6x crop
- Slow motion: Full HD up to 240fps
- Internal recording: 10-bit 4:2:2, XAVC HS and XAVC S-I
- External output: 16-bit RAW via HDMI
- Colour profiles: S-Cinetone, S-Log3, HLG, custom LUT support
| Format | Max Frame Rate | Notes |
|---|---|---|
| UHD 4K | 60fps | Full-pixel 6K oversampled |
| UHD 4K | 120fps | 1.6x crop applied |
| Full HD | 240fps | Slow-motion |
| RAW via HDMI | Up to 60fps | External recorder required |
Colour science and grading flexibility
S-Cinetone employs the same colour science as Sony’s high-end cinema cameras, like the VENICE line, featuring natural mid-tones, soft colours, and smooth highlight transitions. For fast-turnaround work, it’s footage that’s largely ready out of the camera. For projects that require enhanced control, S-Log3 and HLG provide substantial grading flexibility. Custom LUT support lets cinematographers monitor their intended look in real time on set, which is a genuine workflow advantage.
Stabilization and autofocus
The 5-axis in-body stabilization handles handheld shooting well, reducing the need for a gimbal on many productions. Active Mode applies digital correction to enhance the optical system, especially in challenging situations. Gyro data recording enhances stabilization during post-production.
The FX30’s autofocus system is similar to that of pricier Sony models like the a7S III and FX3, featuring dependable Eye AF and face tracking that maintains focus even in challenging conditions. The tracking sensitivity can be fully customized, enabling effortless, precise, controlled rack focus pulls.
Build and thermal performance
The body is designed to operate cage-free, with threaded mounting points distributed across the frame for direct attachment of accessories. Its compatibility with FX3 accessories significantly enhances its versatility. An integrated fan and heat sink prevent overheating in all video modes, ensuring reliable performance for extended recording. Audio input is managed through a built-in stereo microphone, a 3.5mm port, and an optional XLR handle for professional audio setups.
Who it’s actually for
The FX30 isn’t trying to be a hybrid still camera. There’s no mechanical shutter and no continuous burst mode. For anyone whose primary output is video, those omissions are irrelevant. For aspiring filmmakers, it’s a great starting point in Sony’s Cinema Line, and for seasoned professionals, it’s a strong secondary camera.
It occupies a specific and underserved position in the market. High-end cinema cameras require significant infrastructure and a larger budget to operate effectively. Hybrid cameras below it lack the professional workflow tools, colour science, and modular ecosystem that the FX30 brings. The FX30 is an excellent choice for independent filmmakers and creative professionals seeking high-quality cinema output without the high costs.
A tool that earns its place
Sony’s continued firmware support, like the cleaner BIG6 interface and expanded controls in version 6.0, shows that the FX30 is a platform they plan to develop further, not one they have abandoned. That matters when choosing a camera to build a workflow around.
The FX30 is a compact, practical tool supported by a strong imaging ecosystem, making it a lasting choice even as newer models are released. It performs well and meets the needs of creators who prioritize image quality, colour control, and professional flexibility in a portable format.